Embracing the Black body (beyond the western aesthetic)Posted: December 4, 2016
This short post follows on from my previous one, ‘ANTI-BLACKNESS/BLACK *BODIES* & THE ‘TOO PRETTY TO BE ABORIGINAL’ TALK.’
In that post, I identified anti-Blackness, anti-Black and non-mixed bodies, as the basis of the offensive, back-handed compliment “too pretty to be Aboriginal” and the superficial favour many people of colour who approximate whiteness (due to mixed ancestry, European ancestry) experience.
Sasha Sarago and Nayuka Gorrie had compelling presentations, Nayuka in particular (by that I mean many of her thoughts on the topic discussed applied to people of colour and the choices we make). Still, I could not help but think about Celeste Liddle‘s broad feminist critique of the ideas and assumptions that underpin the creation of things like Indigenous beauty pageants and modelling in general. If you don’t know who she is, look up her ‘Rantings of an Aboriginal Feminist’ blog and her public writing.
If I was curating the event, I would have loved the Q&A session at the end of the two talks to be conducted by Celeste – for her to ask a few provocative questions herself, and then throw it open to the audience to put forth their questions. Celeste looks at things structurally and critiques the very notion of wanting to be pretty in the eyes of white and colonised folk – a really important idea that to me represents the next level of “wokeness” and decolonisation.
Here’s a quote of hers from this blog post: ‘I am very much of the “Audre Lorde” school of thought here whereby “The Master’s tools will never dismantle the Master’s house”. Buying into coloniser notions of blackness, as well as patriarchal notions of beauty is not going to change anything for the better in the long term.’
I enjoy beautiful (as defined within this culture) representations of people of colour, and appreciate how *individually* economically/self esteem empowering it can be for women of colour to capitalise on being able to conform to western standards of beauty or be attractive to/within the dominant culture. That said, Celeste is fucking right – *collectively* it doesn’t advance either people of colour or women generally. We can partake in the politics of western-defined beauty, and use it to empower ourselves as individuals, feel more confident and comfortable, et cetera. But we should not kid ourselves that this is liberation.
In Celeste’s blog post quoted from above, she also defends herself from (incorrect) accusations that by pointing out the flawed thinking behind beauty pageants she was committing “lateral violence”. I highly recommend reading it here.
BLACK BEAUTY, OR ‘BLACK™’ WESTERNISED BEAUTY?
One more thing… something that I thought about as Sasha and Nayuka discussed the gorgeous Black Aboriginal model from Yirrkala in North East Arnhem, Magnolia Maymuru; and representations of Aboriginal people/people of colour in media, magazines, and modelling shoots (including Sasha’s wonderful Ascension Magazine… read Magnolia’s extended interview in Ascension HERE). I wanted to ask them about it on the day but didn’t quite know how to phrase it concisely; I still don’t, so I’ll just put it here as an incomplete thought.
I enjoy consuming western-based ‘Black media’ – magazines, films, television, radio, podcasts, vloggers, and so forth. When it comes to ‘beauty’, I prefer (aesthetically and politically) natural Black hair and holistically focused Black media makers. My favourite Black beauty vlogger uses all natural and ethically sourced ingredients in her hair and body remedies, and though not against make-up, she does not wear it on a day-to-day basis (beating your face is fun, but time consuming and expensive). I find her work affirming and healthy – she emphasises health, feeling good from the inside but also embracing ones Black body as it is; that feels very Pro-Black (and Pro-Woman) to me. I also enjoy watching vloggers with physical differences (scars, physical conditions) who use make-up to empower themselves, and vloggers who use make-up to transform themselves into characters. It is fun, it is inspiring, it is art.
Scanning western BLACK™ media though, there are patterns of representation that, whilst presented as proudly Black, actually discourage and attempt to hide things that are, by genetics, hella Black: afro-kinky hair texture, skin tone, certain types of noses and facial features. I have seen so many tutorials made by and for Black women instructing how to use contour to make your nose appear more European like, westernised (it is never phrased in this way, but that is essentially what is being done). “How to make your nose look slimmer” tutorials. I have lost count of the number of tutorials in which Black women use a shade of foundation that is obviously lighter than their actual skin tone.
I watch and enjoy all of this (often playful) transformation, truly. But I also feel grossed out by some of it. I firmly believe in the power and importance of representation – and in particular, self representation – but it seems to me that even in self representations of Black people, particularly in more prominent magazines and on film, we shun physical Blackness in favour of Blackness™, a version of blackness that has “tamed” hair, evened out (with make-up or bleach or simply mixed genetics) skin tone, “prettier” (closer to white) noses. And I wonder whether we (in the West, particularly third culture Black kids) will get to a place where the bulk of our self representations as Black people will reject the projections of the coloniser regarding the genetically gifted traits that white supremacy and colourism denigrate and stigmatise… and fully embrace physical Blackness.